As a producer you are essentially the general in the war
that is the filmmaking process. With so many tasks that need to be accomplished
where does one begin? Well let’s be honest, you don’t have a movie if you don’t
have a story to tell. There are many ways a producer can acquire a story for a
film.
The most obvious answer, of course, is to write it yourself.
There is no rule that says a producer cant write the script. If you write the
story you may, in fact, be better equipped to produce (though not always) as
you know the story inside and out. Just be careful you don’t fall into a trap
by taking too much control. You don’t want to squander the creative visions of
those you bring on to shoot your film.
Another technique, if you don’t want to write the script
yourself, is to hire a screenwriter. A screenwriter can take a story and turn
it into a finished script ready for shooting. Often all that is needed is a
rough story concept. One good place to look for screenwriters is the Writers Guild of America East and the Writers Guild of America West. Just remember to
make sure you give the written enough creative freedom to allow for his or her
own interpretation of the story at hand.
A third option oddly enough is optioning. A producer options a story
by obtaining exclusive rights to that screenplay for a set amount of time in
the hopes of getting it produced. However when a story is optioned the writer
still retains the rights to the work. Remember just because you option a story
doesn’t make it yours.
It doesn’t matter how you acquire your story just remember
you have nothing to produce if you have no story to tell.
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